Entry: Trippin' With Duane Allman Sunday, September 30, 2007



Hitchin' A Ride
 
Long before rappers called each other "Dog", that nickname was used by Duane Allman. The girls called him Skydog.
 
 
With Duane's long face, mutton like sideburns he did kind of resemble a puppy.
 
The Great Speckled Bird was the underground paper in Atlanta that I became the high school correspondent for and also sold to make ends meet. I was living in a duplex house, 3 floors with two roommates. Our rent was $90 a month, which meant with gas and electric, we had to come up with around $45 each for bills. It was very cheap to be a hippie. The Bird had wisely latched onto the music scene in Piedmont Park that had begun by accident. The Hampton Grease Band (who make an early appearance on The Mothers Of Invention LUMPY GRAVY album) spotted electrical plugs in the ground and set up to play. No one stopped them.
The Hampton Grease Band improvised a music set- during a riot! More on that later......
 
There were no permits necessary. Bands began to show up and just play. The Bird created a music scene by making these weekend free music scenes the focal point of the emerging hippie scene, but it was the Allman Brothers who began to attract several thousand fans every time they played.
 
Duane was people. The day the band signed a record contract I congratulated him as he walked by me. I was sitting on the sidewalk selling the Bird, he stopped, said hello to me and sat down next to me on the sidewalk. He talked about what it meant to sign, how now they had to get better equipment and they had to do sets, not just jamming away as the mood struck them onstage.
 
 
Greg was not. I congratulated him when he walked by me later and he didn't even turn to say thanks. Was I surprised when he later married Cher? No.
 
Those weekends watching one of the greatest guitarists ever play I will never forget.
 
But that isn't my favorite Duane story.
 
When a new batch of acid was around dealers would go to the hardcore and give away hits to the hippies on the street that wanted them. It was marketing. By the weekend the reviews were in and the thousands of weekenders arrived and would search out and buy the highly praised hits. I was always on the strip, so when given the chance to try the latest orange barrel I said sure.
 
I never had a bad trip, and often wondered how others did. It wasn't until years later that I realized in those days there was no treatment or medication for depression. If someone had an anxiety attack or bout with depression, doctors told them to snap out of it. That was it. Judging from the numbers of people on anti-depressants today, there were many people who should have avoided psychedelics. In those days the thought was LSD was causing anxiety and depression attacks, today a doctor would treat the patient for bi-polar or depression issues.
 
So I've taken the orange barrel and no longer feel like selling The Bird and camp out on the sidewalk. The tingling in my jaw had given way to a big grin and then
Duane comes up and we talk, and he asks me what I think about the blues.
 
Like most southern white kids, I knew B.B. King and that was about it. I knew the UK bands that were influenced by the blues, The Animals, The Yardbirds, John Mayall and the Bluesbreakers, The Stones but knew next to nothing about actual blues music.
 
He invited me to ride on his bike to his place and listen to his blues collection, and I accepted.
 
Riding on the back of a motorcycle tripping my ass off wasn't part of my non-plan for the evening, but I went with the flow.
 
Duane was the first person I ever met that collected records. He had 78's, 45's, albums and music sold in little towns in Mississippi but nowhere else. He opened a bottle of wine and produced a joint and I sat down to listen.
 
From Delta blues to Chicago, from the Cajun country of Louisiana to the shanties of Alabama, for the next 8 hours I got the ultimate lesson on the blues. He would tell me the region, what he knew of the artist and the stories of jail, chaingangs, riding the rails, falling in love with the wrong woman- everyone liked the blues but no one wanted to have the blues. For 8 hours I got a course on the blues from Duane while tripping.
 
I passed out on the couch with the sound of Duane playing his slide guitar.............
 

   11 comments

Sarah
September 30, 2007   09:38 AM PDT
 

I remember the riot in Piedmont Park! The Hampton Grease Band played as clouds of tear gas passed over them. Very surreal.

Was it called orange barrels or Orange Sunshine at the time? Sunshine might have appeared later, but I can't remember.

I think the Atlanta hippie community lasted so long because it was so cheap to live there then! The old area is now business buildings!
Patrick Edmondson
September 30, 2007   10:44 AM PDT
 
What a unique experience! Yes, Duane and Berry were people on the street everyone liked. Just imagine what they would be doing NOW musically! What size crowd would that have brought to Piedmont in 2007?
My sons can't understand how it was cheap to exist and everything else went for experiences, some, but not all, chemically induced.
Keep it coming, Mike!
Jackie
September 30, 2007   02:54 PM PDT
 

I partied with Duane a few times but nothing like your "blues class"!

Atlanta was small compared to the LA and San Francisco scene, so partying with musicians happened all the time. When there was a party, loads of people came.

Some great times during a bad time. Segregation still around. Maddox. The war. People beating you for having long hair. The strip got me through tough times, but I wouldn't want to go back!

This is a great blog!
Zapel
September 30, 2007   03:15 PM PDT
 

While I do enjoy these tales of you and Del, if you could throw us a bone on "BoB' and the church!

Didn't you host a convention in a Masonic Temple turned hotel, with a convention of D.A.'s going on and the then new cast of Saturday Night Live performing live? Or are these rumors just rumors?

Toss us Subgenii the true story! Praise Pope Flores! Or he'll write badly about you!

Rev Zapel

Pope Flores
September 30, 2007   04:13 PM PDT
 

It is the 25th anniversary of the 1982 Subgenius Convention, and yes Rev Zapel all the stories are true. Plus many, many more.

Like being banned by the World Sci Fi convention!

The post will come in October! A couple more before it though.
Pope Flores
September 30, 2007   04:53 PM PDT
 

If you would like to hear some authenticate classic blues, click on my name.

Left click on the song link, then right click on the download button.

Great music here!
Schroeder
October 1, 2007   04:27 PM PDT
 
There was a group of folks out at the River House who thought they may have contributed to the success of the Allman Brothers in the park. 10 or 15 people were drafted to roll joints all night long and fill shoeboxes with the finished product. I can't remember how many boxes we filled, but there were thousands of joints. Nobody had ever seen that many at one time. It was quite a sight! The word was put out and lots of people showed up in anticipation of the free smokes. After everyone lit up the smoke could be seen rolling across the park and some claimed they could smell it over a mile away. Let the good times roll!
Pope Flores
October 1, 2007   05:18 PM PDT
 

Not only do I remember that, but in the following week in the BIRD my picture appeared- next to a picture of a hand full of joints!

The music backed up the PR in this case!

That was a hell of a party. I got laid in the bushes on the other side of the swimming pool as well.

Compared to pot today, I have no idea how people got high on that weed. The second Vietnamese reefer hit (if you could get it), Mexican weed was worthless! I actually passed out on Nam pot. Never did on the Mexican pot of the day.

I wonder who has those old Birds.....

You know, I met loads of music people then from Hendrix to Duane. The scene was so new, none of us at the Bird thought it was a big deal or an in to get in to shows, etc.

We were always happy to get the free tix and meet these folks.

Today people write about the scene just to get in to shows free!



Ron Currens
October 2, 2007   04:55 AM PDT
 
Ron sent this from the first Allman show in the park. It also points out the difference between Atlanta's hippie community and the west coasts:

The Bird wrote about the Allmans' first appearance and – for the first time ever – a musician's photograph had graced the front cover. I still have that (misdated) April 19,1969, issue of The Bird with Duane Allman on the front. Inside, the foldout center pages included 10 photos of the band and its fans at the Park, interspersed with a stream-of-consciousness narrative that evokes the innocence of a time long gone:


The Allman Brothers play a form of what some might want to call 'hard blues,' but that term merely relates their music to what we already recognize and accept as valid; it says nothing about their real achievements. What informs their music is not black music but the experience of young white tribesmen in experiencing black music.


What we find in Piedmont Park on Sundays is a celebration of the awareness of the tribal experience. It in no way resembles the mass media bullshit of the Haight-Ashbury community of 'hippies' living like zoned zombie children off the sweat of others; it is an integrated collectivity of many different types of people all intermeshed in an unbroken psychic web that transcends class, color, age, and sex, and makes all of these things meaningful only within the context of the struggle to crush the power structure that stifles us all.


The only happening at the park Sunday which approached the power and the glory of the music was the waving red flag, another nonverbal experience which colored the events of the day and night.


The Allman Brothers Band from Macon, Georgia, are a fantastically together group of young rock and roll musicians whose music draws as heavily from the blues as the experience of the young white tribesman can without exploiting the source …. The blues, the entire complex of music which has come out of the experience of the black man in America, belongs to the forms and patterns and relationships to experience of which we now have only the tiniest fraction of an inkling. … Our music must develop its own power, its own forms, its own patterns of relationships with our tribal roots and our space-age technology in an unbroken line all the way down into our preliterate origins and all the way out into the unknown galaxies.


The Allman Brothers Band know all this, and a lot more.


The tribal altar of Piedmont Park – stone pillars on either side of a two-stage stairway, level after level of people, sitting on the grass, on the steps, on the pillars, with the band, behind, in front, on all sides, across the top outlined by sun and sky, milling around, surrounding and enveloping and being enveloped by the music in an unbroken web of tribal psyche, sun, trees, grass, grass, music, animals, man woman and child all vibrating as one out of tune with other communities wherever our music is being played.


Rick Bear
February 2, 2008   10:43 AM PST
 
The day of that "concert", a sax player friend of mine named Mike Bolivar and I went to the park to hear the music. When the band started playing, Mike got his horn out and jammed the whole afternoon with the Brothers. If you have the pics, I am sure that you will see him there. Mike was one of the best horn players that I ever worked with. He and I did 2 years playing music in the US Army. He in the chorus band and me in the Army band. We both were discharged around the same time and Mike stayed in Atlanta and married an Atlanta girl. Before his army stint, he played with the Isley Brothers.
He had the most innovative jazz group that was ever in Atlanta. Comedian Skoie Mitchell's brother, Billy was the pianist coleader and other members were Al Nicholson on drums, John Bolivar on tenor and Gissum on bass. This band played in the John Coltrane Archie Shepp idiom of the day and I never heard anything that ever came close in Atlanta before or after. Al Nicholson, whom I knew from our high schooldays was (and I presume still is) one of the most innovative and advanced concept drummers that I heard anywhere anytime. Grissum, the only name that I ever knew by, was an amazing bass player that remains unsung. I think that Don Retan replaced Billy on piano on some of the later gigs. They used to play every Sunday in a club that was called the Bird Cage that was located in an upsdcale highrise apartment building in west Atlanta. My friend Herman "Shirt" Foretich and I used to go and sit in with them often. They held the house band gig in Underground Atlanta for a long time. I can't remember the name of the place.
Mike left Atlanta in the early 70s with his brother John and relocated to California just south of San Francisco where he became a member of the Duke Ellington Orchestra.
Fond memories.
Rick Bear
February 2, 2008   10:45 AM PST
 
Oh yes, The AB's road manager at this time was also a "Dog". They called him Red Dog if I remember correctly.

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