Psychomike
Male
Chicago
   

<< August 2008 >>
Sun Mon Tue Wed Thu Fri Sat
 01 02
03 04 05 06 07 08 09
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31

If you want to be updated on this weblog Enter your email here:



rss feed



Wednesday, August 06, 2008
Punk Rock and Art Girl

PUNK ROCK, ART GIRL, MY FIRST STALKER
 
Occasionally I do finish a story, like the story of Art Girl. http://subgeniusslack.blogdrive.com/archive/9.html  It has taken awhile, but here's the story. When punk hit I was blown away. Although it wasn't covered by publications like ROLLING STONE, it was huge in fanzines- fan based music publications.
 
Because mainstream music mags wanted nothing to do with the music, fanzines filled the void. Like the beginnings of the hippie music scene that started at art schools (and the military as so many musicians from David Crosby and Jimi Hendrix had been in the military), to bands like the Stones and Who earlier (all from art schools or had members in them) punk would meld into the art world and I helped bring it to Chicago.
 
When I heard that Patti Smith, then a New York poet dating a member of Blue Oyster Cult would be in town to sing on their encore numbers (she actually wrote a few of their songs) I got tickets. None of my friends at the Art Institute knew who she was, had seen her books of poetry, or had much interest in a heavy metal band.
 
She kept the light open, all night long
For me to come home, and sing her my song
Oh Debbie Denise was true to me
She'd wait by the window, so patiently
And I'd come on home with my hair hanging down
She'd pin it up, and softly smile

But I was out rolling with my band
And I was out rolling with my band

I never realized, she was so undone
I didn't suspect she had no life of her own
She was so true but she was a she
She was just there I would just come
Stumbling in she'd show me she'd care
I didn't care cause she was just there

But I was out rolling with my band
And I was out rolling with my band

I wouldn't come home for weeks at a time
She wouldn't accept that she was free
Oh Debbie Denise was true to me
She'd wait by the window so bitterly

Wanting me to come close, I guess I noticed
I couldn't see, so what could I say
That more affection could I show her
I had only one thing on my mind

When I come to her, she'd pin back my hair
And out past the fields out the window I'd stare

Where I was out rolling with my band
I was out rolling with my band
BLUE OYSTER CULT AND PATTI SMITH
 
The Art Institute was a mix of hippies and Nam era vets. I had actually been a hippie and was tired of the way that scene degenerated, had taken to wearing biker jackets to school and ordering bootleg punk shows from NYC on cassette tapes. The UK with Vivienne Westwood and Malcolm McClaren beckoned and their new take on clothes beckoned.
 I knew there was an alternative to arena rock and disco, and I knew it would hit hard. As word spread through the school that I knew about this "movement" from the fashion department to painting, people started to come up to talk to me around the school. That was how I met Art Girl. She was married to a security guard and had invited me over after her husband went to work. When I showed up she was in her nighties and began kissing me at the door and this routine would continue for weeks.
 
That's when she told me she was being blackmailed into having sex with a black guy she had previously fucked into having sex with her and she asked if I could scare him off. For the kind of sex we were having, I said yes. To show how naive I was about a real relationship, there were no warning flags on the field - married, blackmailed, seeing her after her husband left for work, zero.
 
When I did finally get a warning signal I was talked out of it. I went to Le Mere Viper, a Puerto Rican lesbian bar that one night a month began having punk music nights an hour earlier than I was supposed to and she was making out with some guy. I turned to leave, she followed me down the street and talked her way out of it. Or I guess, told me what I wanted to hear to ignore what I saw. She told me she loved me. She was willing to divorce her husband, and did.
 
I had more sex than Hugh Hefner's total- before I was 18. I had become somewhat in demand as Art Institute girls began hearing that I actually knew what I was doing (there is a famous tale of me banging a girl I picked up in the cafeteria in a room that students smoked pot in, some dozen students walked in to catch me in the act!),
but I knew less than zero about love.
 
I met Art Girls best friend Junkie Girl. For some reason, people into heroin never liked me. When Junkie Girl found out I was at college on scholarships she confronted me, saying that if she were poor she'd never admit it, and I must have no shame. This, for winning scholarships! She would send letters to the press when they covered the things I was doing claiming everything from me having AIDS to being a school bus driver responsible for the deaths of kids in Indiana ( I don't drive). For years this went on, as she endeavored to "expose me". God only knows what the press thought. Long after Art Girl and I were through, for quite a few years, she circulated letters spreading absurd crap about me.
 
Art Girl had a couple of surprises for me.
 
The last two years I was in school I taught for salary - I was teaching students who were my fellow students. Not bad for a kid that went through the admissions process three times with nothing in my portfolio but a three minute film. Stan Brakhage, Ken Anger and John Schofill intervened to get me admitted. Brakhage actually threatened to quit teaching unless I was admitted!
 
This only got many students and Professors angry at me. Before I graduated, three museums had purchased my underground film, ORGASM.
 
I was going to Don Seidan's graduating class party and at the last second Art Girl suddenly said she had a headache and couldn't go. She gave me a drink and when I got to the party I became violently ill- in front of the graduating students. Though we lived just a few blocks from the party, Art Girl was too busy to come get me. I passed out on Don's bed. Not a very good impression.
 
A few weeks later, an artist named Montana who was dating a doctor contacted me and said her boyfriend was having an affair with Art Girl, and they had drugged me so they could rendezvous. She had heard them on the phone. I got home and threw her out barefoot in below zero weather.
 
A couple of weeks later, she enticed me back. Without telling anyone, she begged forgiveness and started seeing me for sex again.
 
Two months later, we were to go on a boat party and walked to the river to board. She told me these words I will never forget:
 
I AM GETTING MARRIED IN TWO WEEKS. BUT DON'T WORRY, I CAN STILL SEE YOU EVERY WEEK.
 
There was no way to describe the devastation. Funny thing was, it wasn't to the Doctor!
 
Everyone was getting played with Art Girl.
 
I walked away with tears streaming down my face.
 
To this day, people from the early punk days still tell me she was the one, that they all thought she was the one I'd marry. That she was so nice and cool.
 
I guess she fooled them, too. I lost my chance to teach as a result of her antics. People I thought were friends were elated over me being brought down several notches.
 
She went into fashion for several years, and then switched careers.
 
SHE BECAME AN ARTS TEACHER! The career she denied me. 
 

Posted at 02:02 pm by Psychomike

Tim
August 6, 2008   04:06 PM PDT
 

More on the early punk scene in Chicago please!
Sam
August 6, 2008   04:26 PM PDT
 
I was working at Chicago Filmmakers in those days when Alan Ross and Mike did a show at the place, and Mike showed films in Super 8 of the SEX shop in the UK, The Clash (before they had a contract!), and other bands he met in the UK.

Those screenings at Filmmakers really did create a market for punk in Chicago.

Mike also worked on some films with Brakhage I believe as well. But here's the scary part- in the 90's he also got into the rave scene (and hot raver girls). No subculture is safe!
Billy
August 6, 2008   04:39 PM PDT
 
Before there was a Wax Trax, bars playing all punk, Mike became the champion for punk. In those days you had to find record stores that specialized in imports from JEM distribution that would special order the records.

When Mike came back from the UK he was not a hippie anymore, but he was still cool.

I'm glad he didn't stick to teaching myself. Between the Church of the SubGenius, punk, the plays, the hundreds of events you have done, the plays, it has been a hell of a party knowing you!

So what music scene on the horizon do you see now?
Sandi
August 7, 2008   08:51 AM PDT
 
This may just be the most awful relationship story I ever read.

I read about Allen Ross in the Reader and other publications, and now find it odd they never reveal you launched his film career, and my guess is more people came to see your UK punk rock films than his non narrative visual films.

I guess the press picks the slants it wants to.
Mike
August 7, 2008   02:13 PM PDT
 

Thanks for your comments. Punk played a big role in my life in the mid to late 70's so I will be covering it more. Del also got into punk because of John Belushi. All that is coming.

If I had stuck to teaching my life would be different, but I wouldn't have had Teller in a play, Mark Mothersbaugh do music for one, a party for John Cleese, a party for me hosted by Bill Murray, worked with Del, met the angel from O'Banions, got involved in SubGenius, had a film play a shopping mall movie theater!, etc.

So one does what one can when dealt the cards.

 

Leave a Comment:

Name


Homepage (optional)


Comments




Previous Entry Home Next Entry